Indian Art History Congress 2026 became a landmark academic event as leading scholars, historians, and art critics gathered in Bengaluru to explore the evolving dimensions of Indian art and its deep-rooted social values. Among nearly 175 distinguished participants from across the country, Dr. Renu Shahi from Jaipur, Rajasthan, emerged as a notable voice with her compelling research on satire art, caricature, and political cartoons in the Indian art landscape.

Her presentation, delivered during the 33rd Annual Session of the Indian Art History Congress, sparked curiosity, discussion, and admiration among scholars and attendees alike.

Introduction to Indian Art History Congress 2026

The Indian Art History Congress 2026 marked the 33rd annual session of one of the country’s most respected academic platforms dedicated to the study and preservation of Indian art history. Held from February 6 to February 10, 2026, the conference brought together scholars from universities, research institutions, and independent academic bodies.

The central theme of this year’s session was “Social Values in Indian Art.” The theme encouraged participants to analyze how art reflects, challenges, and reconstructs societal norms, ethics, and political consciousness across time.

More details about the organising body can be explored through the official Indian Art History Congress network and academic listings on platforms such as the Indian Council of Historical Research (https://ichr.ac.in/).

Venue and Organising Institutions

The Indian Art History Congress 2026 was hosted at the historic Mythic Society in Bengaluru, Karnataka — an institution known for its long-standing contribution to historical and cultural research in South India.

The session was organised under the aegis of the Indian Council of Historical Research (ICHR) and the Indian Art History Congress, in association with the Dr. Pooja Bharti Memorial Trust.

The selection of Bengaluru, a city known for blending heritage with modern intellectual discourse, added symbolic significance to the event.

Lifetime Achievement Honour at the Congress

A major highlight of the Indian Art History Congress 2026 was the conferment of the prestigious “Bharati Samman” (Lifetime Achievement Award).

The honour was presented to eminent art historian Dr. Arvind Prabhakar Jamkhedkar, former Chairman of the Indian Council of Historical Research and former Vice-Chancellor of Deccan College, Pune.

Dr. Jamkhedkar’s lifelong contribution to Indian art history, archaeology, and heritage studies has shaped academic discourse in the country for decades. The award ceremony added a celebratory tone to the scholarly proceedings.

Dr. Renu Shahi’s Academic Contribution

Among the 175 scholars who presented papers at the Indian Art History Congress 2026, Dr. Renu Shahi from Jaipur stood out for her original and thought-provoking research.

Her paper focused on satire art in the Indian artistic tradition, particularly examining caricature and cartoons as tools of political, social, and cultural commentary.

Dr. Shahi was granted the opportunity to present her research due to the excellence and academic merit of her paper — a recognition that itself became a subject of interest among attendees.

Her study did not merely treat satire as entertainment. Instead, she framed it as a powerful artistic language that reflects ideological positions and societal tensions.

Indian Art History Congress 2026 and the Theme of Social Values

The theme “Social Values in Indian Art” found a powerful embodiment in Dr. Shahi’s presentation.

At the Indian Art History Congress 2026, discussions ranged from temple architecture to modern installations. However, satire art introduced a contemporary dimension to the dialogue.

Satirical expression often critiques political authority, exposes social hypocrisy, and mirrors public sentiment. By placing satire within the broader framework of Indian art history, Dr. Shahi expanded the academic boundaries of what is traditionally considered “high art.”

Her work highlighted that satire is not marginal. It is central to democratic discourse.

Satire Art in Indian Cultural Discourse

Satire in India has a long and layered history.

From colonial-era caricatures to post-independence political cartoons, satire has shaped public opinion. Dr. Shahi’s research at the Indian Art History Congress 2026 traced how satire art engages with:

• Political authority
• Social hierarchies
• Cultural transformation
• Public morality

Satirical art, she argued, becomes a visual archive of dissent.

By studying satire, scholars can decode historical anxieties and ideological shifts in society.

Caricature and Cartoon: Beyond Entertainment

At the Indian Art History Congress 2026, Dr. Shahi emphasized that caricatures and cartoons are often misunderstood as mere humor.

In reality, caricature exaggerates features to highlight deeper truths. Cartoons compress complex political commentary into accessible imagery.

Her research examined how caricature functions as a semiotic device — using distortion as critique.

In a democracy like India, cartoonists have historically played a crucial role in shaping civic awareness.

Historical Figures in Indian Satirical Art

Dr. Shahi’s paper referenced several legendary cartoonists and satirists whose work shaped Indian visual culture.

Among them:

• Gaganendranath Tagore – Known for his early 20th-century satirical illustrations critiquing colonial society.
• R. K. Laxman – Creator of the iconic “Common Man” and one of India’s most influential political cartoonists.
• K. Shankar Pillai – Founder of Shankar’s Weekly, a platform that shaped political satire in India.
• Bal Thackeray – Began his career as a cartoonist before entering politics.

By situating these figures within academic discourse at the Indian Art History Congress 2026, Dr. Shahi underscored how satire bridges journalism and fine art.

Scholarly Reception and Appreciation

The response to Dr. Shahi’s presentation at the Indian Art History Congress 2026 was overwhelmingly positive.

Scholars appreciated:

• The interdisciplinary approach
• The analytical depth
• The integration of visual examples
• The contextual grounding in political history

Several attendees noted that satire art deserves more systematic documentation within Indian art historiography.

Her work sparked discussions about incorporating satire studies into university curricula.

Why Indian Art History Congress 2026 Matters Today

The Indian Art History Congress 2026 was not just an academic gathering.

It functioned as:

• A platform for intellectual exchange
• A forum for redefining art history
• A space for emerging scholars to gain visibility
• A bridge between tradition and contemporary discourse

In a rapidly changing socio-political climate, art history cannot remain static.

The inclusion of satire art at the Congress signals a broader methodological shift — one that embraces popular visual culture as a serious subject of study.

The Growing Relevance of Satire in Contemporary India

In the digital era, satire spreads faster than ever.

Memes, digital cartoons, and online caricatures continue the tradition discussed at the Indian Art History Congress 2026.

Dr. Shahi’s research becomes especially relevant in this context. Her work invites scholars to analyze:

• Visual political commentary on social media
• The legal boundaries of satire
• The relationship between art and freedom of expression

Satire, she argued, is both aesthetic expression and civic intervention.

Academic Implications and Future Research

The discussions at the Indian Art History Congress 2026 suggest that future research may expand into:

• Digital satire archives
• Comparative studies between colonial and contemporary caricature
• Regional variations in satirical art
• Gender perspectives in cartooning

Dr. Shahi’s contribution has opened new pathways for research scholars.

Her work demonstrates that art history must evolve alongside society.

The Indian Art History Congress 2026 will be remembered as a dynamic and intellectually rich gathering that expanded the boundaries of Indian art scholarship.

Dr. Renu Shahi’s research on satire art, caricature, and cartoons added a contemporary and critical dimension to the conference theme of social values in Indian art.

Her presentation reaffirmed that satire is not peripheral — it is central to understanding India’s political and cultural consciousness.

As academic institutions increasingly recognize the importance of interdisciplinary study, the conversations initiated at the Indian Art History Congress 2026 are likely to influence future scholarship in meaningful ways.

In Bengaluru, amidst scholars and historians, satire found its rightful place in the narrative of Indian art history — and that may be one of the most significant outcomes of this year’s Congress.

Jaipur, Sep.11,2025: is an ancient hand block-printing technique from Akola village in Chittorgarh, Rajasthan. The word Dabu comes from the Hindi verb dabana (to press), reflecting the process of pressing clay-based mixtures onto fabric-

Rajasthan Folk Culture Revival in Spotlight

Rajasthan Folk Culture Revival begins this article as we explore how the culture of this vibrant state is not merely surviving—but being revitalised. From recent archaeological finds to government initiatives, the momentum to preserve, promote, and project Rajasthan’s living traditions is increasing. This revival links the past to the present, offering both locals and the world a deeper connection to heritage.

Archaeological Discoveries and Heritage Preservation

One driver of Rajasthan Folk Culture Revival is new archaeological evidence reaffirming the deep historical roots of the land.

• In Deeg district, ASI has unearthed a 3,500-year-old settlement including a palaeochannel possibly linked with the legendary Saraswati river.
• This discovery of ancient riverbeds and evidence of settlements from Kushan, Magadha, and Sunga periods helps anchor modern Rajasthan’s cultural identity in an unbroken past.
• The government is focusing on preserving temples and religious sites as centres of culture. Chief Minister Bhajan Lal Sharma has emphasized that these are not mere structures of faith but are the social and cultural heart of many communities. These efforts are not just about the stones; they are about stories, practices, artists, and living traditions that connect people to their roots—crucial for Rajasthan Folk Culture Revival.

Folk Arts, Dance & Music Leading the Revival

In the revival of Rajasthan’s folk culture, living arts—dance, music, oral tradition—play central roles.

Ghoomar, Gair, Chari & Other Dances

• Ghoomar: Flowing skirts, graceful twirls, vibrant colors; traditionally performed by women during festivals, weddings, auspicious occasions. It’s deeply embedded in Marwari, Dhundhar, and other regions.
• Gair Dance: A more vigorous folk dance performed by both men and women in the Marwar and Mewar regions. Emphasis on rhythmic footwork, sticks, swords, and community participation.
• Chari Dance: Women balance pots (Chari) on their head, sometimes with lamps or fire, while performing graceful steps. It symbolizes daily life (carrying water) merged with ritual, aesthetics, devotion.

Music & Oral Traditions

• Traditions like those of Manganiyars and Langas—musicians who have for generations narrated stories of valor, love, and myth through songs and ragas—are integral to Rajasthan Folk Culture Revival.
• Folk singers often perform at fairs and deserts, keeping alive heritage language, dialects, and mythic epics.

These dance and music forms are not static relics; they are evolving with revival initiatives, festivals, tourism, and local engagement.

Crafts, Jewelry & Traditional Skills Making a Strong Comeback

Rajasthan’s crafts are among its most arresting expressions of cultural identity—and they are now part of the Rajasthan Folk Culture Revival.

• Thewa Art: Originating in Pratapgarh, this technique of fusing 23-carat gold sheet over molten glass, with intricate designs, is once endangered but has seen resurgence.
• Block Printing, Bandhej, Bagru, Sanganeri Prints: These textile arts continue to grow in demand. Natural dyes, traditional motifs, and artisan workshop tours are making them more visible.

Akola Dabu Print- A Living Heritage of Rajasthan

Akola Dabu Print is an ancient hand block-printing technique from Akola village in Chittorgarh, Rajasthan. The word Dabu comes from the Hindi verb dabana (to press), reflecting the process of pressing clay-based mixtures onto fabric. This craft uses a unique mud-resist technique where natural materials—clay, lime, wheat flour, and gum—are combined to create a paste that resists dye. The result is fabric decorated with earthy, timeless patterns, making it both sustainable and deeply rooted in Indian tradition.

The Process of Akola Dabu Print

1. Preparing the Mixture
   A special paste called dabu is made by mixing wheat flour, lime, gum (from the babul tree), and black clay.
2. Designing the Blocks
   Skilled artisans carve intricate motifs onto wooden blocks, which are then used to print the designs.
3. Applying the Mud Paste
   The wooden blocks are dipped into the prepared clay paste and carefully pressed onto the fabric to create patterned impressions.
4. Dyeing the Fabric
   Once the mud dries and sets firmly, the fabric is dyed, most often in indigo (neel), giving it a striking contrast.
5. Washing Off the Mud
   After dyeing, the cloth is dried and washed, removing the clay resist. The areas covered with mud remain color-free, revealing unique natural patterns.
6. The Final Product
   The finished fabric displays stunning motifs—neutral spaces against deep shades—creating an authentic symbol of India’s artistic heritage.

Thanks to Mr. Vipin Kumar Chhipa, Owner Shreenath Hand Print Akola for Provide information.

History and Significance

• Origins
  The roots of this craft lie in Rajasthan’s Akola village, where it has been practiced for centuries, passed down through generations of artisan families.
• Revival
  With the rise of machine printing, this traditional art form almost disappeared. However, in the 21st century, the growing global interest in handmade and sustainable crafts sparked its revival. Brands like Avartan and artisan cooperatives have played a key role in bringing Akola Dabu back into the spotlight.
• Sustainability
  The process is entirely eco-friendly, relying on natural dyes and organic materials. This makes Akola Dabu not only a cultural treasure but also a sustainable textile practice for the modern world.

•  
• Jewelry & Gem Work: Royal Rajput styles, Thewa pieces, gemstones, and locally made ornaments are being revived both as wearable art and as artifacts.
• Pottery, Leather Work, Appliqué: In the western desert districts and rural areas especially, these crafts are being supported through tourism and governmental programs. Western Rajasthan is emerging as a hub for folk art & tourism. These crafts are feeding into heritage tourism, local livelihood, and pride. The Rajasthan Folk Culture Revival gives artisans new markets, recognition, and motivation to keep these skills alive.

Festivals, Religious Sites & Cultural Tourism

Festivals and religious heritage play a dual role: they preserve ritual and belief, and they act as anchors for cultural tourism.

• Rajasthan’s government has committed to preserving historical and religious sites. Under various schemes, circuits of devotional tourism and infrastructure development are in planning or execution.
• Fairs and festivals—Pushkar, Desert Festival, Sharad Purnima events like the Rajasthan International Folk Festival (RIFF) in Mehrangarh Fort—bring together local and international artists. These create platforms for Rajasthan Folk Culture Revival to reach wider audiences.
• Temples not only draw pilgrims but also become venues for music, dance, oral recitations, and communal gathering. Chief Minister Sharma has emphasized temples’ roles as centers for social, cultural, spiritual consciousness.

Tourism policies tied with heritage conservation amplify revival: local communities benefit, artisans get patronage, architecture is restored, and tradition stays relevant.

Gender, Rural Life & Identity

The Rajasthan Folk Culture Revival is not merely about Dances or Monuments—it’s about people, their identities, gender roles, rural livelihoods, and intergenerational transmission.

• Rural life continues to be the primary vessel for traditional knowledge—be it folk stories, dialects, performing art or craft skills.
• Women especially carry many forms of expression—dance (Ghoomar, Chari), craft (textile work, ornamentation), food traditions and rituals. Their involvement is essential.
• Language and dialect preservation: Marwari, Mewari, Dhundhary, Harauti etc. Each carries folk tales, proverbs, songs unique to region.
• Identity and pride: As younger generations connect with their roots via festivals, tourism, social media, they are more willing to learn and continue traditions.

Challenges and the Road Ahead for Rajasthan Folk Culture Revival

While there is great momentum, there are also challenges that need addressing.

What’s needed

• Policies that balance tourism with conservation.
• Support for artisan cooperatives, craft schools, local museums.
• Integration of folk arts in education (schools, cultural centres).
• Using digital media and technology (recordings, VR, social media) to archive and share.
• Sustainable environmental management to ensure rural ecologies that support traditional livelihoods.

Why Rajasthan Folk Culture Revival Matters

Rajasthan Folk Culture Revival is more than a trend—it’s a lifeline connecting past, present and future. When a dance is performed, a craft is made, or a temple is restored, the stories, values, and identity of entire communities are preserved.

This revival also has very tangible benefits: economic opportunity, tourism, community cohesion, cultural pride, and a sense of rootedness in a rapidly changing world.

Whether in the golden sands of Jaisalmer, the ornate palaces of Jaipur, or in village courtyards, we see the colors of Rajasthan—its festivals, its music, its artisans—being re-brought into focus. And that makes the Rajasthan Folk Culture Revival not just important, but indispensable.

Hathras, Aug.30,2025:The Hathras District Art Triumph is a shining testament to youthful talent, dedicated mentorship, and visionary leadership. It’s a narrative that celebrates achievement

A Celebration of Talent

Hathras District Art Triumph opens the narrative with power and pride. When Doon Public School, Hathras, under the enthusiastic leadership of Principal J.K. Aggarwal, showcased outstanding performances across music and science categories at district-level events, it not only captured top positions—it also reaffirmed the institution’s reputation for nurturing excellence.

Event Overview and Venue Details

On 28 August 2025, the “District-Level Art Festival 2025”—organized by the District Project Director of Samagra Shiksha, UP (Secondary Education)—was conducted at PBAS Inter College, Hathras. There, Doon Public School students delivered stellar performances in group singing, solo instrumental, and group instrumental categories, earning first, first, and second places, respectively. They also clinched third place in the Science Quiz at the Mela Shri Dauji Maharaj event’s “Science Quiz Competition” held at the Mela Shri Dauji Maharaj receiver camp.

Music Magic: – Group Singing – A Stellar Victory

In the group singing contest, the dynamic ensemble of Tanvi Pachauri, Aastha Upadhyay, Suveer Singh, Lakshya Soni, Alok Agrawal, and Anurag Sharma triumphed with a spellbinding rendition that enthralled judges and audiences alike. Their synergy, emotive expression, and harmonic precision made their performance unforgettable.

Solo Brilliance: – Anurag Sharma’s Masterful Performance

Solo instrumental competition spotlighted Anurag Sharma, whose interpretive depth and technical mastery earned him the first-place accolade. His performance was a harmonious blend of emotion and precision, asserting his individuality while reflecting the school’s ethos of excellence.

Harmonious Echoes: – Group Instrumentalists Shine

In the group instrumental category, the trio of Alok Agrawal, Lakshya Soni, and Suveer Singh delivered a performance of finesse and unity, securing second place. Their collective effort demonstrated both skill and camaraderie, contributing significantly to the Hathras District Art Triumph narrative.

Science Smarts: – A Quiz Showdown with Grit

The intellectual contest at the Mela Shri Dauji Maharaj’s Science Quiz was an equally competitive and thrilling arena. Lakshya Ranjan Varshney, Priyanshi Trigunayat, and Krishna Sharma displayed exceptional knowledge and composure, earning the third-place trophy and once again bringing pride to Doon Public School and the district.

Words from the Principal: – Pride and Promise

Principal J.K. Aggarwal praised the winners, underlining their “outstanding talent and confidence” at both competitions. He extended heartfelt congratulations to the students, as well as to mentor Bhavana Sharma and teacher Priyanshu, emphasizing that this success is not just the school’s achievement but a matter of district-wide pride. He expressed optimism that students would continue to set new milestones in culture, arts, and education.

The Mentors Behind the Stars

Behind these brilliant young achievers stand two dedicated educators: Bhavana Sharma, who guided the musical talents, and Priyanshu, who mentored the science team. Their encouragement, disciplined coaching, and unwavering support were instrumental in shaping the success story behind the Hathras District Art Triumph.

What This Triumph Means for the School and District

The Hathras District Art Triumph is far more than a set of wins—it symbolizes:

• Holistic excellence: From performing arts to academic prowess.
• Institutional pride: Reinforcing Doon Public School’s legacy in the state of Uttar Pradesh.
• Youth empowerment: Encouraging exploration and excellence among students.
• Community inspiration: Uniting the district through collective achievement.

Such victories can ripple outward, motivating other schools, inspiring cultural participation, and fostering a sense of collective accomplishment.

Though this story isn’t widely covered in national media, recognizing the extraordinary potential of these students is vital. For context on similarly structured district-level art or academic competitions and best practices in arts education.

The Hathras District Art Triumph is a shining testament to youthful talent, dedicated mentorship, and visionary leadership. It’s a narrative that celebrates achievement, community, and the transformative power of education and culture.

If you’d like, I can help create detailed SEO performance trackers, social media excerpts, or imagery prompts to showcase this inspiring journey further!

Let me know how you’d like to extend this—congratulations again to Doon Public School and its remarkable students!

Udaipur, Aug.30,2025:The Mewar Gavari Dance Festival—also known as Gavri or Gavari—is a deeply spiritual, tribal dance-drama tradition celebrated for 40 days each year in the Mewar region of Rajasthan

Mewar Gavari Dance Festival Begins

Mewar Gavari Dance Festival bursts into life each year in the heart of Rajasthan’s Mewar region, as Bhil communities embark on a breathtaking 40-day ritual of dance, drama, and devotion. This year, as always, the festival unfolds in full fervor—blending mythology, performance, and spiritual depth into an electrifying cultural spectacle.

What Exactly Is the Mewar Gavari Dance Festival?

The Mewar Gavari Dance Festival—also known as Gavri or Gavari—is a deeply spiritual, tribal dance-drama tradition celebrated for 40 days each year in the Mewar region of Rajasthan, particularly across Udaipur, Rajsamand, Chittorgarh, Dungarpur, and Banswara.

Performed by the Bhil community, this festival is a profound blend of myth, ritual, and theatre—a living folk opera evoking divine feminine energy through trance, austerity, and dramatic storytelling.

40 Days of Ritual, Drama, and Devotion

During the Mewar Gavari Dance Festival, participating troupes—typically composed of 20 to 80 performers—travel from village to village, sometimes covering over 600 performances across a season.

Strict spiritual disciplines are observed: fasting, abstaining from sex, alcohol, meat, bathing, even shoes and beds are forsaken—and intriguingly, villagers avoid eating greens to spare insects.

Each day’s performance begins only after a shaman (bhopa) is possessed by the Goddess and allows the ritual to proceed—a sacred touchpoint between the divine and the communal.

Who Performs and Why It Matters

Only male members of the Bhil community perform in the Mewar Gavari Dance Festival, even when portraying female characters. This striking cross-gender role-playing bridges spiritual devotion and theatrical tradition.

Performers are more than actors—they are storytellers, ritualists, and cultural custodians. Their repertoire includes mythological tales, folk legends, resistance narratives, and social commentary—all delivered in a trance-like, improvisational style.

Social Inversion- When Castes Collapse

The Mewar Gavari Dance Festival temporarily overturns entrenched social hierarchies. Village audiences—cross-caste and intergenerational—revere the performers as embodiments of the divine. Brahmins and upper castes prostrate before Bhils, who are otherwise marginalized in everyday life.

This sacred inversion transforms the festival into a powerful moment of community unity and affirmation of tribal identity.

Myth, Satire, and Identity on Stage

The theatrical plays—or khels—woven into the Mewar Gavari Dance Festival are rich with layered meaning. They depict epic battles, divine vengeance, nature worship, and comedic satire. Stories like “Badliya Hindwa,” celebrating ecological harmony, and “Bhilurana,” a saga of resistance against invaders, are staples.

Satirical scenes lampoon corrupt officials, exploitative merchants, and even gods—offering moral and social lessons alongside riveting entertainment.

Preservation Efforts & Global Recognition

Despite its vitality, the Mewar Gavari Dance Festival faces modern challenges: youth migration, school absenteeism, and declining troupe sizes threaten continuity.

Yet there’s hope—local organizations, cultural centers, and government initiatives are promoting Gavari through urban showcases, exhibitions, and educational introductions UNESCO and the Sangeet Natak Akademi are also being lobbied to recognize Gavari as an intangible world heritage.

Moreover, exhibitions like the one at India International Centre or photo displays capture Gavari’s visual grandeur, bringing tribal art to a broader audience.

A Living Cultural Marvel

The Mewar Gavari Dance Festival is not just a performance—it is an immersive journey into divine femininity, tribal resistance, communal cohesion, and cultural resilience. Across 40 days, it weaves history, spirituality, and improvisational art into a tapestry that transcends generations.

As the rhythms fade and austerities lift, the festival closes—bringing laughter, blessings, and a renewed sense of identity to Bhil villages. In its echoes lie the enduring heartbeats of Mewar’s folk legacy.

Jaipur, Aug.13,2025: Under the banner of Theatre of Heroes & Dance of Traditions, the inter-house Hindi Drama Competition showcased moving performances by Classes 6 to

Opening Moments

Theatre of Heroes & Dance of Traditions began with palpable energy. As the curtains rose, eager students from Classes 6–8 and Classes 9–12 prepared to transform the stage into a tribute to India’s illustrious heritage. The theme “Veer Ras” resonated, setting a tone of bravery, sacrifice, and artistic grandeur.

Hindi Drama Highlights

Under the banner of Theatre of Heroes & Dance of Traditions, the inter-house Hindi Drama Competition showcased moving performances by Classes 6 to 8. Each act paid homage to India’s heroes—through stories of courage and sacrifice, infused with melodious interludes that wove harmony into powerful narratives.

The judges—Ms. Anita Joshi (St. Anselm’s, Mansarovar), Ms. Sangeeta Sharma (St. Anselm’s, Madrampura), and Mr. Ritesh Dhakad (St. Xavier’s, Nevta)—commended the students’ emotive portrayals and narrative depth. They reminded the young thespians that life itself is a grand stage and to carry that patriotic spirit beyond their performances.

Vibrant Folk Performance

Following the theatrical tribute, Theatre of Heroes & Dance of Traditions moved into a burst of rhythm with the Group Dance Competition. Classes 9 to 12 embraced South Indian folk traditions, enchanting the audience with synchronized moves, vivid costumes, and infectious energy.

The judges—Ms. Chitra Jangid (St. Anselm’s, Mansarovar), Ms. Arpita Bhargava, and Ms. Anju A. Mary (both from St. Xavier’s, Nevta)—praised the participants for their vibrant performances and encouraged them to value joy in performing, reminding them that the true victory lies in giving their best, regardless of the outcome.

 Judges’ Reflections and Inspiring Messages

Throughout Theatre of Heroes & Dance of Traditions, judges offered inspiring reflections:

• Ms. Sangeeta Sharma encouraged students to view themselves as lifelong artists, extending their patriotic pride into everyday life.
• Ms. Chitra Jangid highlighted the significance of performance joy, urging performers to embrace the journey rather than fear defeat.

These messages elevated the event from a competition to a lesson in self-expression and cultural pride.

Victors and Standing Ovations

With anticipation mounting, Rev. Fr. Sangeeth Raj SJ, the Principal, announced the winners:

Drama – Theatre of Heroes & Dance of Traditions

1. Yellow House – Top Honour
2. Green House – Runners-up
3. Blue House – Third Place

Dance – Theatre of Heroes & Dance of Traditions

1. Blue House – Awarded the crown
2. Red House – Second Place
3. Green House – Third Place

The applause echoed through the auditorium as participants celebrated not just victory, but shared creativity and camaraderie.

Arts & Patriotism in Schools

Theatre of Heroes & Dance of Traditions embodies the vibrant spirit of Indian schools where arts and patriotism converge. Events like these nurture teamwork, cultural understanding, and national pride—essential skills in today’s diverse world.

St. Xavier’s School, Nevta, established in 2015, stands as a prominent CBSE Jesuit institution. It promotes a range of events—from sports and science exhibitions to music, drama, and annual celebrations—creating an environment where creativity thrives alongside academic excellence.

By transforming abstract themes like Veer Ras into living performances, the school reinforces how arts can reflect societal ideals and fortify young minds.

Legacy of a Spectacular Day

Theatre of Heroes & Dance of Traditions left an indelible mark on everyone at St. Xavier’s, Nevta. It was more than a competition—it was a bold statement of youthful creativity, unity, and cultural pride.

Through drama and dance, students discovered their power to move audiences, embody values, and celebrate their heritage. The day affirmed that when arts and patriotism align, they yield a performance that resonates far beyond the stage.

Jaipur, Aug.13,2025: The event’s theme—Universal Apostolic Preferences—guided student performances, inviting them to embody Jesuit values like solidarity, social justice, and spiritual reflection

Theatre & Art Unite: Setting the Stage

Theatre & Art Unite framed the heart of a day where students from St. Xavier’s School—Nevta, Jaipur—took center stage, blending dramatic expression with musical harmony. On August 12, 2025, the campus reverberated with creativity as students from Classes 6 through 12 performed with passion and purpose.

Purpose & Powerful Theme: Universal Apostolic Preferences

The event’s theme—Universal Apostolic Preferences—guided student performances, inviting them to embody Jesuit values like solidarity, social justice, and spiritual reflection. Through both drama and song, participants explored and expressed what these values mean in today’s world, illustrating how Theatre & Art Unite not only hearts but values.

Drama & Music: Houses in Action

English Play: A Theatrical Masterclass

In the English Play segment, Classes 9–12 brought stories to life under the discerning eyes of judges: Fr. Edward Oliviera (renowned principal and educationist), Mr. Biju M.P., and Ms. Teeja Jose. Their verdicts praised the students’ compelling stage presence, imaginative direction, and thematic resonance. Fr. Edward’s live feedback, rich with theatrical guidance, elevated confidence and performance quality.

Singing Competition: Soulful Melodies

Meanwhile, Classes 6–8 lit up the stage in the Singing Competition, judged by Fr. Edward Oliviera, Mr. Ashish Joseph (Indian Idol fame), and the school’s music mentor, Mr. Colin Jobard. The voices rang clear, embodying the event’s spiritual and social message. Judges applauded the emotional depth and musical articulation, proving again why Theatre & Art Unite as powerful educational tools.

Winners & Highlights

• Drama Competition:
  • Blue House: 1st place
  • Red House: 2nd place
  • Green House: 3rd place
• Singing Competition:
  • Blue House: 1st place
  • Yellow House: 2nd place
  • Green House: 3rd place

Principal Rev. Fr. Sangeeth Raj, SJ, announced the winners with warmth, acknowledging every participant, and reemphasizing how Theatre & Art Unite to nurture holistic education.

Inspirational Takeaways & Jesuit Values

• Creative Confidence: Students showcased remarkable self-assurance—theatre and art unite minds and courage.
• Value-Driven Expression: The Universal Apostolic Preferences theme turned performances into acts of conscience and commitment.
• Educational Enrichment: Through art, students gained insight into empathy, teamwork, and expressive nuance.
• Mentorship Matters: Insights from Fr. Edward and Mr. Joseph sparked artistic growth and confidence.

Why Theatre & Art Matter in Education

Theatre & Art Unite not merely students, but ideals and experiences—making education emotionally resonant. This event underscores how incorporating performing arts into schooling fosters creativity, ethical awareness, and emotional literacy.

As St. Xavier’s School looks to future competitions and cultural expressions, the success of this Inter-House English Play and Singing Competition proves that Theatre & Art Unite in elevating education beyond textbooks.

Jaipur, July19,2025: DAVCPS Jaipur Talent Hunt 2025 emerged as a shining platform where creativity, courage, and confidence converged

Table of Contents

1. Introduction: A Stage Where Talent Meets Opportunity
2. DAVCPS Jaipur Talent Hunt 2025: Focus on Holistic Growth
3. Dance Performances That Left the Audience Spellbound
4. Soulful Singing that Captivated Every Heart
5. Dramatic Expressions that Brought Stories Alive
6. Art & Drawing: A Splash of Colourful Creativity
7. Principal A.K. Sharma’s Motivating Words
8. Why Talent Hunts Matter in Early Education
9. How DAVCPS Jaipur Encourages Artistic Exploration
10. Final Takeaway: Celebrating the Future Stars of India
11. External Links & References

A Stage Where Talent Meets Opportunity

DAVCPS Jaipur Talent Hunt 2025 emerged as a shining platform where creativity, courage, and confidence converged. Hosted by DAV Centenary Public School, Vaishali Nagar, Jaipur, this year’s edition celebrated the artistic abilities of students from Grades 3 to 5. With over a hundred participants, the event truly lived up to its name — a kaleidoscope of talent.

In today’s educational landscape, events like these go far beyond just extracurricular activities. They empower students to step beyond the classroom, embrace their individuality, and learn the value of expression.

DAVCPS Jaipur Talent Hunt 2025: Focus on Holistic Growth

The core philosophy behind the DAVCPS Jaipur Talent Hunt 2025 is nurturing holistic development. By offering children an opportunity to perform on stage, the school encourages creativity, critical thinking, emotional intelligence, and self-confidence.

The school administration shared that the goal is not just to find the most talented student, but to help each child discover and polish their own unique spark.

Dance Performances That Left the Audience Spellbound

The stage turned magical as children performed a variety of dance forms — from classical Kathak to energetic Bollywood numbers. Their grace, rhythm, and confidence caught the attention of every parent and teacher present.

The audience was left amazed by a Grade 4 student’s solo semi-classical routine, which combined traditional steps with powerful expressions. Another group from Grade 5 performed a fusion number on folk and contemporary beats that earned a standing ovation.

Soulful Singing that Captivated Every Heart

Singers showcased their range through devotional bhajans, patriotic songs, and even trending Hindi pop songs. Some students even accompanied their singing with harmonium or tabla, adding authenticity to their performances.

One of the highlights of the DAVCPS Jaipur Talent Hunt 2025 was a duet performance by two Grade 3 students who sang a Rajasthani folk song with perfect pitch and synchronization, earning praise from judges and guests alike.

Dramatic Expressions that Brought Stories Alive

The drama section saw students delivering monologues, short skits, and mime acts. Their expressions, dialogue delivery, and stage presence were both impressive and touching.

A skit themed on saving water gained special attention for its strong message and comedic timing. Another monologue based on freedom fighters’ sacrifices brought tears to many eyes in the audience.

These dramatic performances reflected the school’s focus on instilling values and awareness among students.

Art & Drawing: A Splash of Colourful Creativity

Not all talent needs a stage — some are best expressed on canvas. The drawing and painting section was a riot of colours and themes. From scenic landscapes to social messages on environmental conservation, students poured their imagination into every stroke.

A painting titled My Dream School by a Grade 5 student, depicting an eco-friendly, tech-enabled classroom in the mountains, won the ‘Best Imagination’ award.

Another notable entry was a Grade 3 student’s depiction of Jaipur’s famous Hawa Mahal using only crayons and watercolours.

Principal A.K. Sharma’s Motivating Words

Principal Shri A.K. Sharma addressed the audience with heartfelt pride and admiration. He lauded the children’s enthusiasm and emphasized how DAVCPS Jaipur Talent Hunt 2025 plays a crucial role in shaping personalities.

“Today’s children are tomorrow’s leaders. Events like this don’t just build confidence — they help create emotionally intelligent, aware, and well-rounded individuals,” he stated.

He also expressed appreciation for the teachers and parents whose support made the event a grand success.

Talent Hunts Matter in Early Education

Beyond just a fun day at school, talent hunts like DAVCPS Jaipur Talent Hunt 2025 serve a critical role in early childhood development. According to multiple studies, children who participate in artistic and co-curricular activities:

• Display improved academic performance
• Develop better communication and social skills
• Show higher levels of self-esteem and emotional regulation
• Learn time management and discipline

DAVCPS Jaipur Encourages Artistic Exploration

DAV Centenary Public School has a long-standing tradition of supporting creative growth. With weekly art and music sessions, inter-house competitions, annual cultural fests, and now the DAVCPS Jaipur Talent Hunt 2025, the institution continuously encourages its students to think beyond textbooks.

The school also has tie-ups with cultural organisations in Jaipur, allowing students to take part in city-level workshops and contests.

Celebrating the Future Stars of India

The DAVCPS Jaipur Talent Hunt 2025 wasn’t just an event — it was a celebration of courage, imagination, and joy. Every child who stepped onto the stage or submitted a painting took a bold step toward becoming a more confident and expressive version of themselves.

As the curtains fell, the school echoed with claps, laughter, cheers, and a renewed spirit to dream, dare, and do. The event not only highlighted individual talent but also sent a strong message — the future of India is bright, creative, and full of heart.

Colombo/Jaipur, July 14,2025
In a vibrant celebration of artistic expression and cultural wisdom, Indian artist Dr. Renu Shahi has drawn deep admiration for her spiritually inspired paintings at an international art exhibition titled “Uncharted”, held at the Curado Art Space in Colombo, Sri Lanka.

Organized by the Rainbow Art Group, New Delhi, this cross-border exhibition featured 49 contemporary artists from six countries, each offering their unique visual interpretations. Amid this diversity, Dr. Shahi’s works stood out — not only for their aesthetic depth but also for their philosophical grounding.

Her three paintings, inspired by verses from the Bhagavad Gita, revolved around the three fundamental qualities of human nature: Sattva (purity), Rajas (passion), and Tamas (inertia). Through rich symbolic imagery and subtle layering, she represented these gunas not merely as abstract ideas, but as divine forces shaping the human experience. Each artwork intertwined color, mythology, and introspection into a single visual meditation.

The exhibition, which ran from July 4th to 10th, was inaugurated by Shanila Alles, Director of Curado Art Space, and curated by Virendra Kumar, the visionary founder of Rainbow Art Group. The group’s mission is to highlight artists who explore Indian culture, spirituality, and heritage through their canvas, offering them a global stage to be seen and heard.

“For us, art is a language that speaks beyond words,” said Kumar. “It transcends geography and unites minds — whether you’re from Jaipur or Jakarta.”

Alongside Dr. Shahi, notable artists such as Banita Rani Singh, Bhaskar Ghosh, Dr. Chetna Agarwal, Manju Saad, Manoj Chakravarty, and Nayana Mevada, among others, showcased their works. Artists hailed not just from India but also from Nepal, Sri Lanka, Qatar, Indonesia, and Belarus. Each piece was a window into the artist’s soul — and some of those windows were so captivating that a few artworks were sold, a testament to the audience’s deep connection with the themes.

Rainbow Art Group has, over the years, emerged as a powerful platform nurturing both emerging and established talent. Its exhibitions reflect a belief that “art needs no passport — it is the purest dialogue between cultures.”

Dr. Renu Shahi’s series served not just as paintings, but as philosophical experiences — introducing Sri Lankan viewers to the timeless teachings of Indian scriptures, not through sermons, but through strokes of color, layers of thought, and a visual silence that speaks louder than words.

Jaipur, July 10, 2025

The tiny tots of DAV Centenary Public School, Jaipur lit up the campus as they came dressed in cheerful shades of orange to celebrate Orange Day with great excitement and enthusiasm.

The pre-primary wing turned into a lively sea of orange—from clothes and accessories to creative decorations—all reflecting the spirit of joy, creativity, and energy that the colour symbolizes. Teachers thoughtfully planned the day to help children not just enjoy, but also learn the meaning behind the colour orange—a symbol of hope, enthusiasm, and prosperity.

The classrooms were buzzing with laughter and activity as the little learners took part in various fun-filled games, storytelling, drawing, and creative expression sessions. To boost their communication skills, each child was encouraged to bring an orange-coloured object from home and speak a few lines about it in front of their classmates. For many, it was their first public speaking moment, and they did it with adorable confidence.

Principal Mr. A.K. Sharma visited the classrooms to cheer on the children. He appreciated the thoughtful planning of the teachers and said, “Activities like these help children build confidence, express themselves freely, and connect learning with real-life experiences.”

It was a delightful sight to watch the little ones bursting with curiosity, dressed in glowing orange, exploring and expressing themselves. The day left behind not just smiles and laughter, but also a colourful memory in the hearts of the young students.

“Mother-Daughter Education Honour Ceremony” Lights Up Vedanta PG Women’s College, Ringas

 Vedanta PG Women’s College, Ringas

Chief Guest: Hon’ble J.K. Ranka, Former Judge, Rajasthan High Court

Organised with Support from: Ranka Public Charitable Trust, Jaipur

A Moment to Remember

In a heartfelt and inspiring initiative, Vedanta PG Women’s College, Ringas hosted a unique event that celebrated not only the achievements of young women but also honoured the mothers who stood by them. The “Mother-Daughter Education Honour Ceremony” brought together families, educators, and community leaders to recognise the power of education and the deep bond between mothers and daughters.

A Warm Welcome by the Principal

Principal Prof. Dr. Shubha Sharma welcomed all guests, students, and their proud mothers with warmth and gratitude. She shared her vision for the college as a place where girls are empowered not only through education but through values and strength that come from their families.
“Educating girls is not just a goal for us—it is our identity. Behind every strong daughter is a mother who believed, who supported, who never gave up.”

Words of Encouragement from the Chief Guest

Chief Guest Hon’ble J.K. Ranka appreciated the initiative and praised the institution for recognising the contribution of mothers alongside their daughters’ achievements.
“Honouring daughters for their achievements, along with the mothers who shaped their journeys, is both noble and necessary. Girls’ education is vital, and this initiative by Vedanta College reflects true progress.”
He also emphasized that Ranka Public Charitable Trust is fully committed to advancing girls’ education and social empowerment.

A Celebration of Bonds Beyond Words

The most touching moment of the event was when mothers walked the stage beside their daughters to receive honours together. It wasn’t just recognition—it was emotion, memory, and pride shared on one platform.
Dr. Sharma added,
“A mother is the melody of her daughter’s breath. This relationship builds not just individuals, but families, communities, and nations.”

Recognising Achievers in Every Field

The ceremony celebrated young women who completed their schooling, teacher training, and those who excelled in academics, culture, and sports. What made the event truly special was that these recognitions were shared with the women who made those journeys possible—their mothers.

Gratitude to the Foundation’s Leadership

Dr. Sharma thanked the guiding forces behind Vedanta Foundation:

• Mrs. Suman Didwania, Trustee
• Mr. T. Ravikrishnan, CEO
  Their ongoing support and vision helped transform this event into a symbol of community spirit and empowerment.

A Well-Orchestrated Celebration

The event was smoothly conducted by Dr. Sushila Garhwal, Dr. Jyoti Rajawat, and Ms. Shilpi Mamodiya. Their confident and graceful anchoring ensured the flow of the event remained inspiring and connected with every guest in the hall.

More Than Just a Ceremony

This celebration went beyond felicitation. It sent out a larger message to society—that when we support and uplift girls and acknowledge the sacrifices of mothers, we lay the foundation for a better, more inclusive future. It reinforced the idea that education, when coupled with emotional strength and family values, becomes a tool of real transformation.