Media Must Uphold Its Credibility: Afridi 
Literature Award to Be Launched in Talwar’s Memory

Jaipur, October 14: A seminar on the theme “Media: From Where to Where” was organized on Sunday at Pink City Press Club, Jaipur, in memory of senior journalist and author Ish Madhu Talwar, who was also the General Secretary of the Progressive Writers’ Association, Rajasthan, on his birth anniversary.

In his keynote address, senior journalist, poet, and guest faculty at Haridev Joshi University of Journalism and Mass Communication, Tribhuvan, highlighted that journalism is a challenging and risky profession. “During the freedom movement, journalists fulfilled their responsibilities despite significant personal sacrifices. Today, journalism remains just as essential, empowering us with a sense of duty,” he said. Tribhuvan also noted that Talwar connected people through fearless and impartial journalism.

Presiding over the event, senior satirist and acting president of the Progressive Writers’ Association, Rajasthan, Farooq Afridi, expressed concern about the current state of media credibility. “The country is passing through a transitional phase, and it is crucial for the media to maintain its trustworthiness. Only a few media persons and newspapers are playing the role of a people’s ombudsman. The media needs to be more vigilant about the growing hardships of the common man,” he stated. Afridi further added that the media today faces allegations of being too aligned with power, which poses a danger to democracy. Both print and electronic media are in a concerning state, and for the media to be truly people-centric, the public must take a stand.

Afridi praised Ish Madhu Talwar as both a distinguished journalist and a literary figure. “Talwar’s language was rich, and he laid the foundation of the Jan Sahitya Utsav, bringing writers from India and abroad into the movement to free literature from commercialism,” he said.

Ish Madhu Smriti Shakuntalam Award announced by Premchand Gandhi and Dr Anish Talwar

Senior poet Premchand Gandhi and Talwar’s son, Dr. Anish Talwar, announced that the Bharatendu Sahitya Sansthan would be revived and a ₹21,000 Ish Madhu Smriti Shakuntalam Award will be instituted in his memory. The seminar was moderated by journalist Sunita Chaturvedi, with insights shared by Sawai Singh, journalist Roshanlal Sharma, and Rishikesh Rajoriya. A large number of journalists, writers, artists, and distinguished citizens attended the event.

Jaipur, October 9, 2024 – The contemporary art scene in Jaipur was invigorated by the opening of a solo exhibition by renowned Sri Lankan artist Chaminda Gamage at the prestigious Kalaneri Art Gallery. The exhibition, titled ‘My Own Garden’, was inaugurated by Somkant Sharma, General Secretary of the Hindu Spiritual and Service Fair, and Neetu Rajeshwar, RAS, Additional Director of Women Empowerment, along with ADM City Dinesh Jain, through the traditional lighting of the lamp.

The event was graced by some of Jaipur’s most prominent artists and art lovers, including Vidya Sagar Upadhyay, Vijay Sharma, Soumya Sharma, Har Shiv Sharma, Raj Kumar Chauhan, Mahesh Swami, Dr. Rita Pratap, Meenu Srivastava, Neelam Niazi, Neelu Kanwaria, Vinay Sharma, Sangeeta Singh, Gauri Shankar, and Salim. Additionally, notable social activists like Sudhir Mathur and Jugat Singh Sodha were also present to support the vibrant art community.

Curated by senior artist Vidya Sagar Upadhyay, the exhibition features Gamage’s thought-provoking and abstract works, primarily on paper and canvas. “Nature has always been Chaminda’s first love, and his creations reflect the essence of this relationship through his artistic vision,” said Upadhyay during the event.

“Exhibition Showcases Abstract and Thought-Provoking Works, Celebrating Nature as the Artist’s First Love”

Soumya Vijay Sharma, the gallery owner, highlighted the significance of this exhibition, noting, “This show, running from October 9 to October 13, 2024, has drawn significant attention in the art market, further elevating Chaminda Gamage’s reputation as a distinguished artist from Sri Lanka.”

The exhibition presents around 40 paintings along with 15 catalogs of paper-based works, offering art enthusiasts a deep dive into Gamage’s creative world. A highlight of the event was a live demonstration by the artist, held on October 10 from 1:00 PM to 3:00 PM, where students had the opportunity to witness his artistic process firsthand.

The exhibition is expected to draw art lovers, critics, and collectors from across the city and beyond, eager to engage with Gamage’s abstract yet emotionally resonant artworks.

Introduction to the Tribute

On a memorable evening filled with music and admiration, renowned Punjabi singer and actor Diljit Dosanjh took to the stage to pay tribute to the iconic industrialist Ratan Tata during a grand concert. The event, held at a prominent venue in Mumbai, drew an enthusiastic audience comprising fans, industry professionals, and admirers of both Dosanjh and Tata. The atmosphere was electric, infused with a sense of celebration and respect for a man whose contributions have left an indelible mark on India’s industrial landscape.

As fans eagerly awaited the performance, the energy in the air was palpable. The concert was not merely an entertainment showcase; it was a heartfelt acknowledgment of Ratan Tata’s achievements and his profound impact on society. Dosanjh, known for his dynamic performances, was particularly excited to honor Tata, expressing his admiration for the esteemed leader’s commitment to philanthropy and his dedication to sustainable business practices. This context set the stage for an event that transcended the typical concert experience, intertwining music with a message of gratitude and inspiration.

The location of the concert added to its significance, as Mumbai is often considered the financial hub of India, representative of Tata’s vast contributions to the nation’s economy. The combination of the vibrant city, an engaged audience, and Dosanjh’s charisma resulted in an unforgettable evening that promised not only entertainment but also an opportunity to reflect upon the narrative of service and leadership embodied by Ratan Tata. This tribute serves as an encapsulation of cultural respect and recognition, bridging the realms of art and significant societal contributions.

Who is Ratan Tata?

Ratan Tata, an influential figure in Indian industry, was born on December 28, 1937, in Surat, India. He is the great-grandson of Tata Group founder Jamsetji Tata and the son of Naval H. Tata and Sooni Tata. Ratan Tata completed his education at the prestigious Harvard Business School, where he enriched his understanding of management and leadership.

He began his career with Tata Steel in 1961, progressing through various roles that provided him with comprehensive knowledge of the corporation’s operations. However, his ascent to prominence came when he was appointed as the Chairman of Tata Sons in 1990. Under his stewardship, Tata Group expanded its global footprint, notably acquiring several key international companies, including Jaguar Land Rover and Corus Steel. This globalization marked a significant transformation in the conglomerate, establishing it as a formidable player in numerous sectors, such as automotive, steel, pharmaceuticals, and information technology.

Ratan Tata’s tenure as chairman lasted until 2012, a period during which he forged a reputation for innovation and excellence. He was not only focused on economic growth but also emphasized corporate responsibility. Tata’s leadership saw the initiation of several social programs aimed at improving education, healthcare, and infrastructure in underprivileged communities across India. His philanthropic vision is embodied in the Tata Trusts, which contribute to numerous social causes, reflecting his belief in giving back to society.

Today, Ratan Tata remains an inspirational figure in both the corporate world and philanthropic circles. His dedication to progress and social welfare makes him a deserving recipient of tribute, illustrating why individuals like Diljit Dosanjh chose to honor his legacy during recent public events.

Diljit Dosanjh: The Rising Star

Diljit Dosanjh has established himself as a prominent figure in the Punjabi music and film industry over the past decade, characterized by his unique blend of folk and contemporary sounds. His career began in the early 2000s, when he released his first album, which set the groundwork for his iconic status. With a series of chart-topping albums and memorable tracks like “Do you know” and “Laembadgini,” Dosanjh has captivated audiences not only in Punjab but across India.

As a multifaceted artist, Diljit Dosanjh’s influence extends beyond music into the realm of acting. His performances in Punjabi films such as “Punjab 1984” and “Sardar Udham” have garnered critical acclaim, showcasing his versatile talent. This adaptability has played a significant role in solidifying his popularity, leading to collaborations with Bollywood legends and appearances in mainstream Indian cinema. His ability to resonate with diverse audiences has made him a household name, elevating him to a symbol of modern Punjabi culture.

The rise of Diljit Dosanjh can also be attributed to his ability to connect with fans through social media and live performances. His charismatic presence and engaging personality have further expanded his reach, enabling him to develop a devoted fanbase that spans various demographics. As the recipient of numerous awards, he has been recognized for his contributions to the industry, highlighting his status as a pioneer in the fusion of traditional and contemporary music.

Diljit Dosanjh’s broad appeal and cultural significance make him an apt artist to pay tribute to iconic figures such as Ratan Tata. His recognition of such influential leaders and their contributions to society reflects his own commitment to using his platform for meaningful expression and cultural dialogue.

Concert Highlights

The recent concert featuring Diljit Dosanjh was an unforgettable experience, brimming with excitement, energy, and memorable moments. From the moment the lights dimmed, and the crowd erupted in anticipation, the atmosphere was electric. Diljit took to the stage with his signature style, immediately captivating the audience with a blend of his popular hits and heartfelt melodies.

One of the key highlights of the evening was Diljit’s unique ability to interact with his fans. Throughout the concert, he engaged with the audience, encouraging them to sing along and dance, fostering an inclusive environment. Fans were thrilled when he took a moment to express his gratitude, acknowledging their unwavering support over the years. These interactions not only solidified the bond between the artist and his fans but also created a vibrant and lively concert atmosphere.

A particularly poignant moment came when Diljit dedicated a segment of the concert to pay tribute to Ratan Tata, a figure he greatly admires. In an emotionally charged address, he shared anecdotes about Tata’s philanthropy and vision for India. Diljit passionately articulated how Tata’s contributions have inspired him and countless others, further establishing the concert as not just an entertainment event but also a celebration of values and leadership. This tribute resonated deeply with the audience, leading to an outpouring of applause and appreciation.

Additionally, the concert featured special performances that showcased Diljit’s versatility. From upbeat dance numbers to soul-stirring ballads, he seamlessly transitioned between styles, keeping the audience enthralled. The energy in the venue peaked as he closed the evening with a powerful finale, leaving fans exhilarated and chanting for more. Overall, Diljit Dosanjh’s concert was a splendid tapestry of music, emotions, and heartfelt tributes, making it a night to remember for all in attendance.

The Tribute: A Special Moment

During a recent concert, celebrated singer and actor Diljit Dosanjh took a moment to pay homage to one of India’s most revered industrialists, Ratan Tata. Known for his immense contributions to Indian industry and his philanthropic spirit, Tata has inspired countless individuals across the globe. Diljit’s tribute not only highlighted these attributes but also encapsulated the emotional resonance that Tata’s legacy holds among the people.

As the audience gathered in anticipation, Diljit commenced his tribute with a heartfelt speech. He spoke about Tata’s visionary leadership and unwavering commitment to social causes. Drawing from Tata’s various initiatives, including healthcare, education, and rural development, Diljit emphasized the importance of corporate social responsibility and how Tata serves as a role model for upcoming generations. This poignant segment left many attendees reflecting on how they, too, could contribute to societal well-being.

Following the speech, Diljit performed a special song dedicated to Ratan Tata, infusing the performance with emotions that resonated deeply with the audience. His soulful rendition captured the essence of common values like hope, perseverance, and integrity that Tata embodies. The song, accompanied by striking visuals on a large screen, showcased key milestones from Tata’s life, further enhancing the tribute’s emotional depth.

The energy in the venue transformed as audience members expressed their admiration and affection for both Diljit’s artistry and Ratan Tata’s legacy. Many were seen wiping away tears as they internalized the values that Tata has championed throughout his life. This moment not only celebrated a leading figure in Indian society but also reiterated the significance of art in bridging generations and instilling respect for such monumental contributions to humanity.

Audience Reactions

During the recent concert where Diljit Dosanjh paid tribute to Ratan Tata, the atmosphere was electric with a palpable sense of admiration not only for the artist but also for the iconic industrialist. The audience witnessed a unique blend of music and heartfelt appreciation, which left a lasting impression on all present. Shortly after the tribute, fans began to express their thoughts and feelings, creating a vibrant dialogue around the moment.

One enthusiastic fan, Rajesh Malhotra, stated, “Diljit’s tribute to Ratan Tata brought tears to my eyes. It was a remarkable way to honor a man who has been a beacon of hope for so many. You could feel the love in the room.” This sentiment echoed throughout the concert hall, as many attendees shared their awe at the connection forged between the singer and the legendary businessman.

Notable figures in the audience also expressed their admiration. Film producer Anjali Sinha commented, “It’s not often we see celebrities take a stand and celebrate inspiring personalities like Ratan Tata. Diljit has not just entertained us but reminded us of the values Tata stands for.” Similarly, a prominent social activist, Sanjana Gupta, remarked, “This tribute is significant; it emphasizes the importance of recognizing those who have contributed positively to society. Diljit delivered this beautifully.”

The shared sentiments of gratitude and respect were palpable, solidifying the bond between the fans and their idol. As the various expressions of appreciation continued to resonate throughout the venue, it became clear that this moment was more than just entertainment; it was a collective acknowledgment of Ratan Tata’s contributions to society facilitated by Diljit Dosanjh’s passionate delivery.

Media Coverage and Public Response

The tribute paid by Diljit Dosanjh to Ratan Tata during his recent concert garnered significant attention from various media outlets. The event was not merely a musical performance; it transformed into a celebration of Tata’s contributions to Indian industry and philanthropy. News agencies and entertainment journalists covered the event extensively, highlighting Dosanjh’s heartfelt performance and his expressed admiration for Tata. Many outlets emphasized the symbolic nature of this tribute, portraying it as a unifying moment in contemporary Indian culture.

Social media platforms also became a battleground for discussions related to the event. Twitter and Instagram were flooded with reactions from fans and followers who praised Dosanjh for honoring such a revered figure in India. Posts featuring clips from the concert and quotes from both Dosanjh and Tata circulated widely, suggesting a strong connection between the audience and the tribute. Hashtags related to the concert trended, showcasing not only Dosanjh’s popularity but also reflecting the public’s appreciation for Tata, a business magnate revered for his ethical framework and humanitarian efforts.

This public response underlines the significance of cultural events in shaping collective societal values and sentiments. The convergence of arts and social responsibility, as evident through Dosanjh’s gesture, resonates deeply with various demographics, appealing to both younger and older generations. Additionally, the media’s portrayal of the tribute as a blend of entertainment and homage further elevated its cultural relevance. By intersecting the realms of music and social consciousness, Diljit Dosanjh’s tribute to Ratan Tata highlights how artistic expressions can forge lasting impressions and encourage discussions about integrity and philanthropy in modern society.

Legacy of Ratan Tata

Ratan Tata, a towering figure in Indian industry, has left an indelible mark on the socio-economic landscape of the country. As the former chairman of Tata Sons, he played a pivotal role in shaping the Tata Group into a global powerhouse, championing innovation, ethical business practices, and corporate social responsibility. Tata’s visionary leadership not only expanded the group’s portfolio but also reinforced its commitment to positively impacting society. His efforts in diversifying the business into sectors like IT, steel, and automobiles exemplify how visionary leadership can drive economic growth while adhering to fundamental values.

The legacy of Ratan Tata is particularly significant in contemporary Indian society. His emphasis on values such as integrity and compassion resonates deeply with the youth and entrepreneurs alike. This connection is evident in the way public figures, including artists like Diljit Dosanjh, express their admiration for Tata. By honoring Tata at his concert, Dosanjh helps keep the values associated with Tata’s legacy alive. Such gestures not only recognize Tata’s contributions but also inspire the next generation to uphold similar ideals when pursuing their careers and personal goals.

Furthermore, figures like Ratan Tata influence the cultural landscape by promoting social initiatives and encouraging philanthropy within the business community. His pivotal role in projects aimed at uplifting disadvantaged sections of society has cemented his status as a role model. The respect and affection that public figures like Dosanjh show towards Tata highlight the importance of leadership that transcends corporate boundaries, reinforcing the relevance of ethical principles in contemporary culture. As his legacy continues to be celebrated, it serves as a guiding light for future leaders and entrepreneurs across India, suggesting that business success should always align with social responsibility.

Conclusion: Celebrating Icons

The tribute paid by Diljit Dosanjh to Ratan Tata during his recent concert stands as a testament to the deep respect and admiration that artists hold for cultural icons. Such moments are significant as they not only spotlight the enduring legacy of individuals like Tata but also serve to inspire audiences through the powerful medium of music. By recognizing noteworthy figures within society, artists play a crucial role in bridging the gap between various realms of influence, be it business, philanthropy, or the arts.

Ratan Tata’s contributions to industry and society resonate far beyond the confines of his corporate achievements. His commitment to social causes and a vision for a better India reflect principles that many aspire to emulate. When a beloved figure like Diljit Dosanjh honors him on stage, it reverberates through the community, encouraging fans to acknowledge and appreciate the values embodied by individuals such as Tata. This act of tribute is a reminder of the power of art as a vehicle for social recognition and the promotion of integral societal figures.

Moreover, the intersection of celebrity culture with philanthropy and social awareness is a vital aspect of contemporary society. Diljit’s celebration of Ratan Tata not only elevates Tata’s contributions but also signifies an alignment of modern entertainment with meaningful narratives. It reinforces the notion that artists can influence public perception and foster a culture of appreciation for those who work tirelessly for the betterment of society.

In essence, tributes like these are vital in preserving the legacies of cultural icons and encouraging future generations to recognize and support figures who champion progress and innovation in our communities.

Saripodhaa Sanivaaram (transl. Is Saturday Not Enough), directed by Vivek Athreya, is a 2024 Telugu-language vigilante action thriller that promises adrenaline-fueled action while touching upon themes of anger, justice, and redemption. Starring Nani, S. J. Suryah, and Priyanka Mohan, the film is a stylish blend of mass masala entertainment and emotional depth, making it a unique entry into the vigilante genre.

Plot Overview: The story follows Surya (Nani), an insurance agent grappling with deep-rooted anger issues since childhood. Adhering to a promise made to his late mother, he only channels his fury on Saturdays. This peculiar rule leads to a complex double life as Surya becomes a Saturday vigilante, exacting justice on wrongdoers every week. His path eventually crosses with CI Daya (S. J. Suryah), a corrupt, sadistic police officer whose oppressive reign over the town of Sokulapalem sets up an explosive conflict.

Surya’s personal turmoil, especially his relationships with his estranged sister Bhadra and childhood love Kalyani (now Charulatha, played by Priyanka Mohan), weaves emotional layers into the otherwise action-heavy narrative. As Surya battles personal demons, family issues, and systemic corruption, the film balances vigilante justice with more introspective moments.

Performances: Nani shines in his role as Surya, delivering a grounded yet intense performance. His portrayal of a man torn between family obligations and his desire for justice is compelling. Nani brings out Surya’s vulnerability, making his moral struggles relatable to the audience. S. J. Suryah, as the menacing Daya, is equally impressive. His character’s sadistic nature adds tension to the film, and Suryah’s screen presence keeps the audience engaged. Priyanka Mohan, though playing a more restrained role, adds emotional weight to the story as Charulatha, Surya’s love interest and ally.

Direction and Writing: Vivek Athreya’s direction elevates Saripodhaa Sanivaaram from a simple action flick to a nuanced character study. His decision to explore Surya’s psyche—how he compartmentalizes his rage and violence to a single day each week—adds depth to an otherwise conventional revenge drama. However, at times, the narrative gets bogged down by its own complexities, especially in the middle act, where the film loses some of its momentum.

Athreya also deserves credit for tackling themes like anger management, familial estrangement, and the impact of systemic corruption. The screenplay cleverly balances action with moments of levity, particularly through Sankaram, Surya’s father, who becomes a key figure in the vigilante’s journey.

Action and Technical Aspects: The action sequences in Saripodhaa Sanivaaram are a highlight. Well-choreographed and intense, they fit naturally into the storyline without feeling overly exaggerated. Cinematographer Murali G.’s work enhances the gritty, urban setting, and the tight editing by Karthika Srinivas keeps the pacing brisk during the action scenes. The film’s climax, in particular, delivers a satisfying showdown that brings together the film’s various threads.

Jakes Bejoy’s music amplifies the emotional and action beats of the film. His score effectively complements the tension, though the soundtrack itself, featuring a mix of peppy and intense numbers, might not stand out as much.

What Works:

• Nani’s performance: As Surya, Nani brings emotional gravitas to a role that could have easily been one-dimensional.
• S. J. Suryah’s antagonist: His portrayal of Daya is chilling, adding an unpredictable edge to the film.
• Action scenes: The violence is intense but purposeful, fitting well with the film’s vigilante theme.

What Doesn’t:

• Pacing issues: Some segments, particularly in the middle, could have been tighter to maintain the film’s momentum.
• Emotional depth: While the film tries to delve into Surya’s personal struggles, the emotional beats occasionally feel underdeveloped in comparison to the action.

Final Verdict: Saripodhaa Sanivaaram is a gripping vigilante drama that rides high on Nani and S. J. Suryah’s stellar performances. Although it has pacing issues and some emotional gaps, the film’s intense action and unique premise make it a worthwhile watch for fans of action-thrillers. Vivek Athreya’s smart writing and direction offer a fresh take on vigilante justice, balancing brutality with introspection. Overall, it’s an engaging, well-executed thriller with enough mass appeal to satisfy a wide audience.

Rating: 3.5/5

Seher’s exhibition called Untangling Thoughts will inaugurate on April 22 atv 4 pm at the
Sukriti Art Gallery , at Jawahar kala Kendra, Jaipur by Dr Sudhir Bhandari, Principal, SMS Medical College & Hospital.

About Untangling Thoughts

The exhibition will express individuals dealing with mental health issues often express themselves in drawings and paintings. The creation of art helps in exploring emotions and coping with stress. It helps in finding new ways to gain personal insight and develop skills to overcome anxieties. A traditional art class is normally focused on teaching technique or creating a specific finished product, but art therapy is more about letting an individual focus on their inner experience. Individuals facing mental illness create art that expresses their inner world more than making something that is an expression of the outer world. People who have experienced emotional trauma, anxiety, depression, and other psychological issues can benefit from expressing themselves creatively.

Seher’s paintings express their feelings

Seher’s paintings are her only companions in low moods. On certain occasions when her irritability and restlessness grew. She experienced feeling of hopelessness and felt worthless. She thought of death and suicide, many a times she tried to harm herself and became violent. Invariably, after every violent episode, she blocked herself off from everyone and sat and painted for hours. Her paintings reflected her moods and had a soothing effect on her nerves. These were never planned and premeditated paintings.
They represent her relationship with the outside world, inner-self, anger and joy, friendships and breakups, conflicts and resolutions, her paintings are ‘Seher’ with all her complexities. When she paints, the hazy thoughts start calming down and she is able to focus again. The hours of hard work would create all kinds of abstracts. She never uses regular paints; she likes and continues to paint with ink. Seher draws a lot of trees. They were all dry trees initially but over a period of time she started painting colorful leaves. Colors which do not exist in nature, perhaps, but colors that reflect her moods.
Sometimes she portrays herself as a lonely bird, while everything around her is vibrant and
colorful, the yearning to be rooted, to be happy is portrayed through many trees, which are colorful and firmly standing, yet in one painting one can see the sun pushing down the beautiful tree reflecting the weight of her complex thoughts and feelings, which does not allow her to bloom.
There are many paintings using mandala art designs interwoven with multiple lines criss-crossing each other, perhaps representing a state of her mind in constant confusion that does not allow her to enjoy the bright world around her.
Healing is a slow process; Seher is not only fighting herself but helping a lot of others by fighting the taboo attached to mental illness.

Credent TV। हजरत ख्वाजा सूफी अब्दुल रज्जाक शाह (र.अ.) के 10वें उर्स के अवसर पर वरिष्ठ कवि-व्यंग्यकार और मुख्यमंत्री के ओएसडी फारूक आफरीदी (Farooq Afridy) को उनकी साहित्यिक सेवाओं के लिए रज्जाक पब्लिक चेरीटेबल ट्रस्ट, जूनिया शरीफ, तहसील केकड़ी (अजमेर) की ओर से एक भव्य समारोह में सुदर्श साहित्य अवार्ड-2022 से सम्मानित किया गया।
ख्वाजा गरीब नवाज अजमेर के नायब गद्दीनशीन सैयद नसीरुद्दीन चिश्ती और दौसा की सांसद जसकौर मीना के सान्निध्य में खानकाह शाहे रज्जाक जूनिया शरीफ के सज्जादा नशीन हजरत सूफी डाॅ. अब्दुल लतीफ शाह ने अवार्ड प्रदान किया।

इस अवसर पर प्रतिष्ठित समाजसेवी राव आनंदसिंह और सूफी डाॅ. अब्दुल हमीद ने आफरीदी को शाॅल ओढ़ाकर एवं स्मृति चिन्ह प्रदान कर सम्मानित किया। उल्लेखनीय है कि आफरीदी (Farooq Afridy) का कविता संग्रह ‘शब्द कभी बांझ नहीं होते‘, दो व्यंग्य संग्रह ‘मीनमेख‘ और ‘धन्य है आम आदमी‘ तथा ‘सूचना का अधिकार‘ आदि पुस्तकें प्रकाशित हो चुकी हैं। देश-विदेश की पत्र-पत्रिकाओं में इनकी रचनाएं अनवरत प्रकाशित होती रही हैं।
इस अवसर पर ख्वाजा गरीब नवाज के नायब गद्दीनशीन सैयद नसीरूद्दीन, दौसा की सांसद जसकौर मीना और फारूक आफरीदी (Farooq Afridy) ने जायरीन को सम्बोधित करते हुए कहाकि देश में अमन और शांति के लिए सूफीवाद ही एक मात्र माध्यम है जो हमें जाति, धर्म, समाज, वर्ग से ऊपर उठकर सामाजिक सद्भाव की महान परम्परा को अक्षुण्ण बनाए रखने की प्रेरणा देता है। उर्स में देश के कोने-कोने से आए 10 हजार से अधिक जायरीन सम्मिलित हुए।
इस मौके पर शांति एवं सद्भाव, शिक्षा, समाज सेवा एवं पर्यावरण संरक्षण, खेल, विज्ञान, चिकित्सा एवं प्रौद्योगिकी के क्षेत्र में योगदान करने वाले दस महानुभावों को सम्मानित किया गया।

क्ले म्यूरल

• कलानेरी आर्ट गैलरी में चल रहे समर कैंप के दौरान हुआ लाइव डेमोस्ट्रेशन
• म्यूरल कला के जाने-माने कलाकार उमा कान्त मीणा हुए रूबरू

म्यूरल विधा के जाने-माने कलाकार उमा कान्त मीणा बुधवार को Kalaneri Art Gallery में चल रहे समर कैंप के प्रशिक्षणार्थियों से रूबरू हुए। उन्होंने इस मौके पर थ्री डी तकनीकी से क्ले मॉडल बनाने की विधि समझाई और नमूने के तौर पर डेढ़ फुट गुणा दो फुट का म्यूरल तैयार करके दिखाया। इस म्यूरल में उन्होंने आसमान में चमकते सूरज और धरती पर लहलाते फूल तथा पेड़ पौधे दिखाए हैं। कलाकार ने इन आकृतियों को थ्री डी तकनीकी से उभार देकर और भी खूबसूरत बना दिया। उमा कान्त आने वाले दिनांे में इस म्यूरल की कास्टिंग करके इसको स्थाई रूप भी देंगे।

क्ले म्यूरल में सीमेन्ट और पीओपी का प्रचलन आज के युग की देन

Kalaneri Art Gallery के निदेशक सौम्या विजय शर्मा ने बताया कि इस मौके पर उमा कान्त ने अपने उद्बोधन में कहा कि क्ले म्यूरल में सीमेन्ट और पीओपी का प्रचार आज के युग की देन है। सैकड़ों साल पुरानी इस विधा में कलाकार पत्थर और क्ले के माध्यम से ही कलाकृतियां उकेरा करते थे। देश के प्राचीन मन्दिरों, किलों और महलों में इसी रीति से म्यूरल बनाए गए थे जिन्हें आज भी देखा जा सकता है। उन्होंने इस मौके पर प्रशिक्षणार्थियों को वुड के सरफेस पर गीली मिट्टी से कार्विंग करने और कलाकृतियों के लिए टैक्सचर तैयार करने की रीति भी समझाई।

The artist created the AI artworks with “mid-journey.” He also shared a number of images of Indian men that were based on stereotypes and quickly went viral.

The artist from Delhi who previously used artificial intelligence to produce amazing works of art utilizing preconceptions of Indian males from various regions of the nation has now done it again, but this time with women.

The new AI-generated images of ladies were shared on Twitter by Madhav Kohli, who has over 18,000 Instagram followers, to mainly positive feedback from followers.

He started with a woman from Delhi before moving on to people from Haryana, Uttar Pradesh, Goa, West Bengal, Assam, Maharashtra, Kashmir, and other places.

On Wednesday, the artist posted images of the men; today, she added images of the ladies. He also posted a disclaimer stating that they are merely based on preconceptions. He captioned a post yesterday with, “I realize these are not accurate and not everyone is like this.

On July 26, the much-anticipated trailer for Sunny Deol and Ameesha Patel’s Gadar 2 was made public. The movie’s trailer launch event took place last night in Mumbai

. Social media users have been exposed to a video of the event in which Sunny can be seen crying.

Arriving in Tara and Sakina’s attire are Sunny and Ameesha.

In the video, Sunny and Ameesha can be seen performing. Ameesha arrived in Sakina’s attire, while Sunny Deol arrived in Tara’s attire for the trailer launch. The actor is dressed in a white pathani salwar and coat with an orange kurta. He has also put on a matching turban to go with this.

Ameesha was seen wearing a red sharara. In this avatar, she appears to be very attractive. Sunny started crying as soon as she got to the stage after witnessing the love of the audience. Ameesha is seen wiping away her tears throughout this. This video has a lot of fans on social media.

Fans became elated.

‘Sabse Pyari Sakina’ was the user’s comment on the video. Block Buster Hogi Movie was another user’s comment. “Tara Singh is back,” was written by the third. Another user commented, “Wow old is gold waiting for Gadar 2,” in the comment section.

Tara Singh makes her 22-year-old comeback

Gadar: The 2001 film Ek Prem Katha was released. After 22 years, the movie’s sequel has finally arrived. Tara Singh was played by Sunny Deol in the movie Gadar. After 22 years, he has now made another comeback as Tara Singh. Along with Sunny and Ameesha, Utkarsh Sharma will also play the lead in the movie. On August 11, Gadar 2 will be seen in theatres.

People had arrived on the set to see Ameesha and began loudly knocking on the vanity door; Director Anil Sharma was irritated.

Ameesha Patel shared some intriguing information at the Gadar 2 trailer debut. He recalled shooting Gadar and recalled a time when a mob was about to throw stones at his set and vanity van.

Actually, everyone was aiming for Gadar. It was evening. Later, a few people arrived on the set and began pressing for a glimpse of Ameesha. He was determined not to leave that spot until he saw Ameesha. Ameesha’s pride, which she had. From outside, people began to knock on his door.

Anil Sharma, the director of the movie, became irate over this. Ameesha was asked to leave by him. Ameesha was warned by Anil that the crowd would start throwing stones at her if she stayed inside.

Anil Sharma was irate as people were outside the vanity van knocking.

“Anil ji had made a very beautiful set,” Ameesha remarked. The sets were laboriously constructed by him and the choreographer. Not even the fact that we were filming in the daytime. It was evening.

On the set, some people arrived. The makeup van that we were riding in began to bang loudly. Definitely had learned. They declared that they would not permit the shooting to take place. Only then did Anil ji approach me and warn me that if I didn’t wave my hand, the crowd would start throwing stones. All of this used to occur during the reign of Gadar. (Amisha chuckles)

Sunny’s waiting audience was lathicharged.

Ameesha continued, “A similar incident occurred in Amritsar once. Sunny Deol, aka Sunny Ji, was on his way there. To see him, many people had gathered. This led to the use of lathicharge.

He had to board the following flight to return to Mumbai. Gadar’s underproduction has led to a great deal of mutiny.

Gadar’s first installment, released in 2001, grossed 100 crores.

Gadar’s first installment was released in 2001. This film was made on a 19-crore budget at the time. The film grossed Rs 76.88 crore in total. The total amount collected was Rs 128.19 crore. If it is added from today’s perspective, the total amount will be Rs 400 crores.

व्यंग्य आम आदमी की परेशानियों को कम करने का सशक्त हथियार है -डॉ.हेतु भारद्वाज

देश की अग्रणी साहित्य संस्था कलमकार मंच की ओर से विद्याश्रम स्कूल के सुरुचि केन्द्र में आयोजित ख्यात व्यंग्यकार फारूक आफरीदी (Farooq Afridy)की किताब ‘धन्य है आम आदमी’ पर संवाद कार्यक्रम में वरिष्ठ साहित्यकार डॉ. हेतु भारद्वाज ने अपने अध्यक्षीय उद्बोधन में कहा कि व्यंग्य आम आदमी की परेशानियों और दुखों को कम करने का माध्यम है। व्यंग्य का प्रयोग स्थितियों को देखकर किया जाए तो ज्यादा दमदार होगा। भाषा को मनुष्य का सबसे बड़ा अविष्कार बताते हुए उन्होंने कहा कि भाषा की ताकत का कोई तोड़ नहीं है। स्थिति और भाषा का समुचित प्रयोग किया जाना चाहिए तभी लेखन में निखार आता है। सोशल मीडिया पर चाहे सब उपलब्ध हो, लेकिन आज भी किताबों का कोई विकल्प नहीं है।

दो सत्रों में आयोजित इस कार्यक्रम में संस्था के राष्ट्रीय संयोजक वरिष्ठ पत्रकार एवं गीतकार निशांत मिश्रा ने कहा कि जब तक किताबों पर चर्चा नहीं होगी, पाठकों का ध्यान आकर्षित नहीं होगा और न ही किताब पाठकों के बीच लोकप्रिय होगी। उन्होंने आगामी 6 और 7 अगस्त को जयपुर में होने वाले दो दिवसीय ‘कलमकार साहित्य महोत्सव’ की जानकारी देते हुए बताया कि यह महोत्सव वरिष्ठ पत्रकार एवं साहित्यकार स्व. ईशमधु तलवार को समर्पित होगा।
पुस्तक चर्चा में व्यंग्यकार प्रभात गोस्वामी ने कहा कि एक समय था कि लेखक आम आदमी की श्रेणी से अलग हुआ करता था, पर आज लेखक भी आम आदमी की ही तरह हो गया है । इसकी वजह यह है कि किताबों के पास पाठक नहीं है। सोशल मीडिया ने किताबें पढने का जुनून कम कर दिया है। कुछ भी लिखने से पूर्व लेखक को सोचना पड़ता है कि उसे किस तरीके की प्रतिक्रिया झेलनी पड़ सकती है। मुख्यमंत्री के विशेषाधिकारी एवं वरिष्ठ व्यंग्यकार अनुराग वाजपेयी ने कहा कि किताब में शामिल व्यंग्य आम आदमी की परेशानियों को बखूबी उजागर करते हैं। वरिष्ठ साहित्यकार श्री श्रीकृष्ण शर्मा ने ‘धन्य है आम आदमी’ व्यंग्य संग्रह में प्रयुक्त लगभग 37 लोकोक्तियों, मुहावरों और सुक्तियों का उल्लेख करते हुए कहा कि यहअपने आप में खासा दिलचस्प है। वरिष्ठ साहित्यकार, भाषाविद और कवि नरेन्द्र शर्मा ‘कुसुम’ ने कहा कि हमारे समाज में बहुत सी दुर्बलताएं हैं और उन्हीं पर प्रहार करने के उद्देश्य से ही व्यंग्य लिखा जाता है। व्यंग्य कहने वाला हंस रहा हो और सुनने वाला अंदर तक कुढ़ रहा हो, वही व्यंग्य है।
व्यंग्य संग्रह के लेखक फारूक आफरीदी (Farooq Afridy) ने कहा कि इस किताब में शामिल सभी व्यंग्य समग्र समाज और विशेष रूप से आम आदमी कष्टों और विडंबनाओं का लेखा जोखा है। समाज में जो घटित हो रहा है उसे ही उजागर करने का प्रयास रचनाओं में किया गया है। वरिष्ठ पत्रकार और व्यंग्यकार डॉ.यश गोयल और डॉ. तराना परवीन ने भी अपने विचार व्यक्त किए। सत्र का संचालन डॉ. ऊषा दशोरा ने किया।

दूसरे सत्र में युवा व्यंग्य लेखक जितेन्द्र शर्मा ने कुर्सी बचाने और पाने के लिए होने वाली बाड़ेबंदी पर, मुख्यमंत्री के विशेषाधिकारी एवं साहित्यकार अनुराग वाजपेयी ने तीये की बैठकों के विज्ञापन और मृत्यु के समाचारों पर केन्द्रित और फारूक आफरीदी (Farooq Afridy)ने जुमलेबाजी के बढ़ते वर्चस्व और समाज को भुलावे में रखने वाले बयानों और नारों के लेखन पर आधारित अपनी व्यंग्य रचानाएं सुनाकर उपस्थित श्रोताओं की दाद बटोरी। सेवानिवृत्त वरिष्ठ प्रशासनिक अधिकारी राजेन्द्र भानावत ने कहा कि आम आदमी शासन और प्रशासन के केंद्र में रहना चाहिए।इस अवसर पर उन्होंने अपनी व्यंग्य कविता ‘ऐसे ही चलता है’ सुनाई। पूर्व आईएएस डॉ. सत्यनारायण सिंह ने फारूक अफरीदी को संग्रह के लिए बधाई दी और कहा कि व्यंग्य सामाजिक परिवर्तन का आधार है।
कार्यक्रम में राजस्थान मेला प्राधिकरण के उपाध्यक्ष रमेश बोराणा, वरिष्ठ साहित्यकार कृष्ण कल्पित, पत्रकार विनोद भारद्वाज, अरिंदम मिश्र, कवि प्रेमचंद गांधी, किस्सागोई फेम लेखिका उमा, फिल्म निर्देशक गजेन्द्र एस. श्रोत्रिय, समाजसेवी पंचशील जैन, नवल पांडेय, विनोद शर्मा, प्रेमलता शर्मा, शायर फानी जोधपुरी, नफीस आफरीदी, पूनम भाटिया, दीपक कुमार राय, नदीम आफरीदी, डॉ.प्रणु शुक्ला, डॉ. राकेश कुमार, धर्मपाल, सहित बड़ी संख्या में साहित्यप्रेमी मौजूद थे।