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At the debut of the Gadar 2 trailer, Sunny Deol sobs: Amisha Patel sobs while filming; it will be released on August 11

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On July 26, the much-anticipated trailer for Sunny Deol and Ameesha Patel’s Gadar 2 was made public. The movie’s trailer launch event took place last night in Mumbai

. Social media users have been exposed to a video of the event in which Sunny can be seen crying.

Arriving in Tara and Sakina’s attire are Sunny and Ameesha.

In the video, Sunny and Ameesha can be seen performing. Ameesha arrived in Sakina’s attire, while Sunny Deol arrived in Tara’s attire for the trailer launch. The actor is dressed in a white pathani salwar and coat with an orange kurta. He has also put on a matching turban to go with this.

Ameesha was seen wearing a red sharara. In this avatar, she appears to be very attractive. Sunny started crying as soon as she got to the stage after witnessing the love of the audience. Ameesha is seen wiping away her tears throughout this. This video has a lot of fans on social media.

Fans became elated.

‘Sabse Pyari Sakina’ was the user’s comment on the video. Block Buster Hogi Movie was another user’s comment. “Tara Singh is back,” was written by the third. Another user commented, “Wow old is gold waiting for Gadar 2,” in the comment section.

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Tara Singh makes her 22-year-old comeback

Gadar: The 2001 film Ek Prem Katha was released. After 22 years, the movie’s sequel has finally arrived. Tara Singh was played by Sunny Deol in the movie Gadar. After 22 years, he has now made another comeback as Tara Singh. Along with Sunny and Ameesha, Utkarsh Sharma will also play the lead in the movie. On August 11, Gadar 2 will be seen in theatres.

People had arrived on the set to see Ameesha and began loudly knocking on the vanity door; Director Anil Sharma was irritated.

Ameesha Patel shared some intriguing information at the Gadar 2 trailer debut. He recalled shooting Gadar and recalled a time when a mob was about to throw stones at his set and vanity van.

Actually, everyone was aiming for Gadar. It was evening. Later, a few people arrived on the set and began pressing for a glimpse of Ameesha. He was determined not to leave that spot until he saw Ameesha. Ameesha’s pride, which she had. From outside, people began to knock on his door.

Anil Sharma, the director of the movie, became irate over this. Ameesha was asked to leave by him. Ameesha was warned by Anil that the crowd would start throwing stones at her if she stayed inside.

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Anil Sharma was irate as people were outside the vanity van knocking.

“Anil ji had made a very beautiful set,” Ameesha remarked. The sets were laboriously constructed by him and the choreographer. Not even the fact that we were filming in the daytime. It was evening.

On the set, some people arrived. The makeup van that we were riding in began to bang loudly. Definitely had learned. They declared that they would not permit the shooting to take place. Only then did Anil ji approach me and warn me that if I didn’t wave my hand, the crowd would start throwing stones. All of this used to occur during the reign of Gadar. (Amisha chuckles)

Sunny’s waiting audience was lathicharged.

Ameesha continued, “A similar incident occurred in Amritsar once. Sunny Deol, aka Sunny Ji, was on his way there. To see him, many people had gathered. This led to the use of lathicharge.

He had to board the following flight to return to Mumbai. Gadar’s underproduction has led to a great deal of mutiny.

Gadar’s first installment, released in 2001, grossed 100 crores.

Gadar’s first installment was released in 2001. This film was made on a 19-crore budget at the time. The film grossed Rs 76.88 crore in total. The total amount collected was Rs 128.19 crore. If it is added from today’s perspective, the total amount will be Rs 400 crores.

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Art

Untangling Thoughts is being inaugurated on April 22

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Seher’s exhibition called Untangling Thoughts will inaugurate on April 22 atv 4 pm at the
Sukriti Art Gallery , at Jawahar kala Kendra, Jaipur by Dr Sudhir Bhandari, Principal, SMS Medical College & Hospital.

About Untangling Thoughts

The exhibition will express individuals dealing with mental health issues often express themselves in drawings and paintings. The creation of art helps in exploring emotions and coping with stress. It helps in finding new ways to gain personal insight and develop skills to overcome anxieties. A traditional art class is normally focused on teaching technique or creating a specific finished product, but art therapy is more about letting an individual focus on their inner experience. Individuals facing mental illness create art that expresses their inner world more than making something that is an expression of the outer world. People who have experienced emotional trauma, anxiety, depression, and other psychological issues can benefit from expressing themselves creatively.

Seher’s paintings express their feelings

Seher’s paintings are her only companions in low moods. On certain occasions when her irritability and restlessness grew. She experienced feeling of hopelessness and felt worthless. She thought of death and suicide, many a times she tried to harm herself and became violent. Invariably, after every violent episode, she blocked herself off from everyone and sat and painted for hours. Her paintings reflected her moods and had a soothing effect on her nerves. These were never planned and premeditated paintings.
They represent her relationship with the outside world, inner-self, anger and joy, friendships and breakups, conflicts and resolutions, her paintings are ‘Seher’ with all her complexities. When she paints, the hazy thoughts start calming down and she is able to focus again. The hours of hard work would create all kinds of abstracts. She never uses regular paints; she likes and continues to paint with ink. Seher draws a lot of trees. They were all dry trees initially but over a period of time she started painting colorful leaves. Colors which do not exist in nature, perhaps, but colors that reflect her moods.
Sometimes she portrays herself as a lonely bird, while everything around her is vibrant and
colorful, the yearning to be rooted, to be happy is portrayed through many trees, which are colorful and firmly standing, yet in one painting one can see the sun pushing down the beautiful tree reflecting the weight of her complex thoughts and feelings, which does not allow her to bloom.
There are many paintings using mandala art designs interwoven with multiple lines criss-crossing each other, perhaps representing a state of her mind in constant confusion that does not allow her to enjoy the bright world around her.
Healing is a slow process; Seher is not only fighting herself but helping a lot of others by fighting the taboo attached to mental illness.

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फारूक आफरीदी को साहित्य सेवा के लिए मिला सुदर्श अवार्ड-2022

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Credent TV। हजरत ख्वाजा सूफी अब्दुल रज्जाक शाह (र.अ.) के 10वें उर्स के अवसर पर वरिष्ठ कवि-व्यंग्यकार और मुख्यमंत्री के ओएसडी फारूक आफरीदी (Farooq Afridy) को उनकी साहित्यिक सेवाओं के लिए रज्जाक पब्लिक चेरीटेबल ट्रस्ट, जूनिया शरीफ, तहसील केकड़ी (अजमेर) की ओर से एक भव्य समारोह में सुदर्श साहित्य अवार्ड-2022 से सम्मानित किया गया।
ख्वाजा गरीब नवाज अजमेर के नायब गद्दीनशीन सैयद नसीरुद्दीन चिश्ती और दौसा की सांसद जसकौर मीना के सान्निध्य में खानकाह शाहे रज्जाक जूनिया शरीफ के सज्जादा नशीन हजरत सूफी डाॅ. अब्दुल लतीफ शाह ने अवार्ड प्रदान किया।

इस अवसर पर प्रतिष्ठित समाजसेवी राव आनंदसिंह और सूफी डाॅ. अब्दुल हमीद ने आफरीदी को शाॅल ओढ़ाकर एवं स्मृति चिन्ह प्रदान कर सम्मानित किया। उल्लेखनीय है कि आफरीदी (Farooq Afridy) का कविता संग्रह ‘शब्द कभी बांझ नहीं होते‘, दो व्यंग्य संग्रह ‘मीनमेख‘ और ‘धन्य है आम आदमी‘ तथा ‘सूचना का अधिकार‘ आदि पुस्तकें प्रकाशित हो चुकी हैं। देश-विदेश की पत्र-पत्रिकाओं में इनकी रचनाएं अनवरत प्रकाशित होती रही हैं।
इस अवसर पर ख्वाजा गरीब नवाज के नायब गद्दीनशीन सैयद नसीरूद्दीन, दौसा की सांसद जसकौर मीना और फारूक आफरीदी (Farooq Afridy) ने जायरीन को सम्बोधित करते हुए कहाकि देश में अमन और शांति के लिए सूफीवाद ही एक मात्र माध्यम है जो हमें जाति, धर्म, समाज, वर्ग से ऊपर उठकर सामाजिक सद्भाव की महान परम्परा को अक्षुण्ण बनाए रखने की प्रेरणा देता है। उर्स में देश के कोने-कोने से आए 10 हजार से अधिक जायरीन सम्मिलित हुए।
इस मौके पर शांति एवं सद्भाव, शिक्षा, समाज सेवा एवं पर्यावरण संरक्षण, खेल, विज्ञान, चिकित्सा एवं प्रौद्योगिकी के क्षेत्र में योगदान करने वाले दस महानुभावों को सम्मानित किया गया।

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क्ले म्यूरल में सीमेन्ट और पीओपी का प्रचलन आज के युग की देन-उमा कांत मीणा

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क्ले म्यूरल

  • कलानेरी आर्ट गैलरी में चल रहे समर कैंप के दौरान हुआ लाइव डेमोस्ट्रेशन
  • म्यूरल कला के जाने-माने कलाकार उमा कान्त मीणा हुए रूबरू

म्यूरल विधा के जाने-माने कलाकार उमा कान्त मीणा बुधवार को Kalaneri Art Gallery में चल रहे समर कैंप के प्रशिक्षणार्थियों से रूबरू हुए। उन्होंने इस मौके पर थ्री डी तकनीकी से क्ले मॉडल बनाने की विधि समझाई और नमूने के तौर पर डेढ़ फुट गुणा दो फुट का म्यूरल तैयार करके दिखाया। इस म्यूरल में उन्होंने आसमान में चमकते सूरज और धरती पर लहलाते फूल तथा पेड़ पौधे दिखाए हैं। कलाकार ने इन आकृतियों को थ्री डी तकनीकी से उभार देकर और भी खूबसूरत बना दिया। उमा कान्त आने वाले दिनांे में इस म्यूरल की कास्टिंग करके इसको स्थाई रूप भी देंगे।

क्ले म्यूरल में सीमेन्ट और पीओपी का प्रचलन आज के युग की देन

Kalaneri Art Gallery के निदेशक सौम्या विजय शर्मा ने बताया कि इस मौके पर उमा कान्त ने अपने उद्बोधन में कहा कि क्ले म्यूरल में सीमेन्ट और पीओपी का प्रचार आज के युग की देन है। सैकड़ों साल पुरानी इस विधा में कलाकार पत्थर और क्ले के माध्यम से ही कलाकृतियां उकेरा करते थे। देश के प्राचीन मन्दिरों, किलों और महलों में इसी रीति से म्यूरल बनाए गए थे जिन्हें आज भी देखा जा सकता है। उन्होंने इस मौके पर प्रशिक्षणार्थियों को वुड के सरफेस पर गीली मिट्टी से कार्विंग करने और कलाकृतियों के लिए टैक्सचर तैयार करने की रीति भी समझाई।

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